Operating between the digital and the physical, my practice explores the challenges of communicating complex ideas ranging from quantum physics to climate change to machine learning through visual language. Drawing from academic research, my work examines how meaning shifts as knowledge moves from specialized discourse into public-facing forms. In this process, complexity is often traded for shareability, while resisting this reduction risks rendering the work opaque or exclusive. I am interested in this tension between legibility and depth, and in the moments where translation falters or begins to succeed. Using visual frameworks as a site of inquiry, my practice questions how information circulates, who it's for, and what remains unseen in the acts of translation. Influenced by the quantum observer effect, I approach perception as participatory rather than passive: the viewer does not simply receive the work, but helps produce its state through attention, interpretation, and conditions of viewing. What is created, altered, or erased?